Source note

GAMBARA (Paolo), musician, born at Cremona in 1791; son of an instrument-maker, a moderately good performer and a great composer who was driven from his home by the French and ruined by the war. These events consigned Paolo Gambara to a wandering existence from the age of ten. He found little quietude and obtained no congenial situation till about 1813 in Venice. At this time he put on an opera, "Mahomet," at the Fenice theatre, which failed miserably. Nevertheless he obtained the hand of Marianina, whom he loved, and with her wandered through Germany to settle finally in Paris in 1831, in a wretched apartment on rue Froidmanteau. The musician, an accomplished theorist, could not interpret intelligently any of his remarkable ideas and he would play to his wondering auditors jumbled compositions which he thought to be sublime inspirations. However he enthusiastically analyzed "Robert le Diable," having heard Meyerbeer's masterpiece while a guest of Andrea Marcosini. In 1837 he was reduced to mending musical instruments, and occasionally he went with his wife to sing duets in the open air on the Champs-Elysees, to pick up a few sous. Emilio and Massimilla de Varese were deeply sympathetic of the Gambaras, whom they met in the neighborhood of Faubourg Saint-Honore. Paolo Gambara had no commonsense except when drunk. He had invented an outlandish instrument which he called the "panharmonicon." [Gambara.]