Richard Malone, Lord Sunderlin (National Gallery of Ireland): a portrait of the brother of the scholar Edmond Malone.

Robinetta (Brighton Museum): a fancy picture of a girl with a robin, one of Reynolds's sentimental child-subjects; a version (the type is at the Tate).

Samuel Johnson (Harvard Art Museums): one of Reynolds's several portraits of his closest friend; the Harvard version, in America, is among the images by which Johnson's face is known.

Samuel Johnson (Samuel Johnson Birthplace Museum): a version of one of Reynolds's Johnson portraits, at Lichfield, the writer's birthplace.

Samuel Johnson (Pembroke College, Oxford): a version of a Johnson portrait at Johnson's own Oxford college, which he left without a degree and which later honoured him.

Self-portrait (private collection): one of the many self-portraits Reynolds made across his career; without a firm date, a specimen of his lifelong self-scrutiny.

Self-portrait (Chequers): one of the self-portraits, at the prime minister's country house.

Self-portrait (Port Eliot): a self-portrait at the Eliots' Cornish seat, which holds the largest private group of Reynoldses.

Self-portrait (The Box, Plymouth): a self-portrait at Plymouth.

Sir James Pennyman, Bt (National Trust): a portrait of a Yorkshire baronet.

Sir John Cust (Parliamentary Art Collection): a version of the portrait of the Speaker of the Commons; in the Parliamentary collection.

Sir John Cust, Speaker of the House of Commons (Corpus Christi College, Cambridge): a portrait of the Speaker; an academic and parliamentary portrait.

Sir John Fleming Leicester, 1st Lord de Tabley (Tabley House): a portrait of the collector who formed one of the first galleries of British art; at his own house.

Sir Joshua Reynolds, First President of the Royal Academy (Government Art Collection): a self-portrait or version, in the national collection of government art.

Sir Walter Blackett, Bt, MP for Newcastle (Royal Victoria Infirmary, Newcastle): a portrait of the Northumberland magnate and benefactor; a civic full-length of the kind provincial corporations commissioned.

Sir William Lowther, 3rd Bt (Weston Park): a portrait of a young baronet who died at twenty-nine; at Weston Park.

Sketch of Sir Abraham Hume (Ashmolean Museum): an oil sketch for a portrait of the collector and mineralogist Sir Abraham Hume, a connoisseur of Reynolds's circle.

Sleeping Girl (Museum of Fine Arts, Ghent): a fancy picture of a sleeping child, in the sentimental mode; one of the few Reynoldses in Belgium.

Studio Experiments in Colour and Media (Royal Academy of Arts): a panel of Reynolds's technical trials — the fugitive carmines, waxes and media whose failure ruined so many pictures; a document of the recklessness the essay describes.

Study for 'Beggar Man (George White)' (Blackburn Museum): a study of the model George White, a former paviour whose striking head Reynolds used for the Ugolino and other subjects; a rare study from a favourite model.

The Captive (Ashmolean Museum): a fancy picture of a captive figure, in the sentimental-picturesque mode of the subject-pictures.

The Entrance to Mr Thrale's Park, Streatham (Victoria and Albert Museum): a rare landscape sketch by Reynolds, of the Streatham grounds of the Thrales — Johnson's hosts and Reynolds's friends; a glimpse of the painter off duty.

The Holy Family with St John (Shipley Art Gallery): a religious subject-picture, of the kind Reynolds occasionally attempted.

The Holy Family with the Infant St John (Ashmolean Museum): a rare religious subject-picture by Reynolds, in the manner of the Italian devotional picture he studied; the Ashmolean's example.

The Hon. Edward James Eliot (Port Eliot): a portrait of a son of the Eliot family, the friend of Pitt and Wilberforce; at Port Eliot.

The Marquis of Granby (Guildhall Art Gallery): a portrait of John Manners, Marquess of Granby (1721–1770), the beloved commander of the Seven Years' War whose bald head named a thousand pubs; a military portrait.

Thomas Secker, Bishop of Oxford, later Archbishop of Canterbury (St Edmund Hall, Oxford): a portrait of the primate; an ecclesiastical portrait at Oxford.

Thomas Dawson, 1st Viscount Cremorne (Royal Albert Memorial Museum, Exeter): a portrait of an Irish peer; a grand male portrait in a West Country museum.

View from Wick House, Richmond (Orleans House Gallery): a landscape from Reynolds's own villa at Richmond, Wick House, which Chambers built for him; a rare landscape and a personal one.

William Augustus, Duke of Cumberland (Town Hall): the victor of Culloden, 'the Butcher', third son of George II; a portrait of the royal duke.

William Hunter (Royal College of Physicians and Surgeons of Glasgow): a portrait of the anatomist.

William Markham, Archbishop of York (Christ Church, Oxford): a portrait of the archbishop and headmaster of Westminster; an ecclesiastical portrait at his Oxford college.

William Mason, Poet (Pembroke College, Cambridge): a portrait of the poet and Gray's biographer.

Young Girl, Draped in a Robe (Newnham College, Cambridge): a fancy head or study of a young girl.