Study of a Woman and Two Children (drawing, Metropolitan Museum of Art): a compositional drawing, one of the few by Reynolds, for a maternal group.

Nelly O'Brien with a Bird (Museum of John Paul II Collection, Warsaw): a version of a portrait of the courtesan Nelly O'Brien (see the Wallace prime).

Omai (Yale University Art Gallery): a version or reduction of the celebrated full-length of the Ra'iatean visitor (see the article entry on the prime Omai).

Charles Rogers, Esq. (mezzotint, Yale Center for British Art): a mezzotint after Reynolds's portrait of the collector.

Diana, Viscountess Crosbie (drawing, Metropolitan Museum of Art): a compositional drawing for the Huntington full-length.

The Age of Innocence (The Box, Plymouth): a version of the famous fancy picture (see the major entry); at Plymouth, the painter's own country.

Elizabeth Cavendish, Duchess of Devonshire (print, Welsh Portrait Collection): a reproductive print after Reynolds.

The Macklin Bible: The Holy Family (print): a reproductive print of Reynolds's Holy Family, engraved for Macklin's illustrated Bible.

Colonel Tarleton (Brighton Museum): a version of the famous Tarleton (see the article entry; the prime is in the National Gallery).

Sir William Jones (stipple engraving, Welsh Portrait Collection): a reproductive print after Reynolds's portrait of the great orientalist and jurist.

Sir William Jones (photomechanical print, Welsh Portrait Collection): a later photomechanical reproduction after Reynolds's portrait of the orientalist.

A Strawberry Girl (Chequers): a version of Reynolds's much-loved fancy picture of a child with strawberries (the prime is in the Wallace Collection); at the prime minister's country house.

David Garrick between Tragedy and Comedy (Samuel Johnson Birthplace Museum): a version or copy of Reynolds's famous 'Choice of Hercules' composition of 1761 (the prime is at Waddesdon); the museum at Lichfield holds it for the Johnson circle it records.

Head and Bust of a Woman (drawing, National Gallery of Art, Washington): a drawing, one of the few by Reynolds; a study of a woman.

Head of an Elderly Lady; studies from Raphael's 'Disputa' (drawing, Yale Center for British Art): a sheet of Reynolds's studies after Raphael's Vatican fresco — a rare survival of the drawings he made from the masters, and evidence of the study the Discourses preached.

Lady Cockburn and her Children (Orleans House Gallery): a version of Reynolds's great Charity-group of 1773 (the prime is in the National Gallery; see that entry).

Lady Hamilton as a Bacchante (Worthing Museum): a version of the Bacchante composition; Emma Hamilton was painted as a Bacchante by both Reynolds and Romney, and copies abound.

Mrs Baldwin (print by Paul Rajon after Reynolds): a nineteenth-century etching after Reynolds's portrait of Jane Baldwin in Turkish dress; a reproductive print.

Sheet of Figure Studies from Raphael's 'Disputa' (drawing, Yale Center for British Art): one of a group of study-sheets after Raphael, from the collection Reynolds's own practice of copying the masters produced.

Sheet of Figure Studies from Raphael's 'Disputa' (drawing, Yale Center for British Art): another of the Raphael study-sheets at Yale — the draughtsman's record of the Grand Manner's sources.

Sheet of Figure Studies from Raphael's 'Disputa' (with a study of a head) (drawing, Yale Center for British Art): a further Raphael study-sheet, with an added head — the kind of working drawing Reynolds rarely preserved.

Study of a Seated Woman (drawing, Yale Center for British Art): a figure study, one of the few surviving drawings by a painter who composed on the canvas and drew little.

The Infant Hercules (Bradford Museums): a version or reduction of Reynolds's history painting for Catherine the Great (the vast prime is in the Hermitage).

The Infant Samuel (Laing Art Gallery): a version of Reynolds's much-reproduced fancy picture of the praying child (the prime type is discussed under the Musée Fabre entry).