Dr James Beattie (University of Aberdeen): a portrait of the Scottish poet and philosopher, author of The Minstrel; recorded as after or from the studio of Reynolds (the prime Beattie, the 'Triumph of Truth', is at Aberdeen too).

Edward Gibbon (National Trust for Scotland): a portrait of the historian of the Decline and Fall, a member of the Club, recorded as after or from the studio of Reynolds; the prime is elsewhere.

James Macpherson (Clan Macpherson Museum): a portrait of the 'translator' of Ossian, recorded as after or from the studio of Reynolds.

Jane Barton (Blackburn Museum): a female portrait recorded as after or attributed to Reynolds.

John Sneyd (Keele University): a portrait recorded as after or from the studio of Reynolds.

Johnson as a Young Man (Samuel Johnson Birthplace Museum): a portrait of the young Johnson, recorded as after or from the studio of Reynolds, at Lichfield.

Joseph Warton, Headmaster of Winchester (Winchester College): a portrait of the critic and headmaster, recorded as after or from the studio of Reynolds, at the school he led.

Lady Amelia Hume (Temple Newsam): a female portrait recorded as after or attributed to Reynolds.

Landscape with the Flight into Egypt (Apsley House): a landscape with a religious subject, attributed to Reynolds; his few landscapes make the attribution uncertain.

Nativity Scene (Topsham Museum): a religious composition after or attributed to Reynolds, perhaps reflecting the lost New College window designs.

Oliver Goldsmith (Northampton Museum): a portrait of the poet and playwright, a founder-member of the Club and Reynolds's friend; recorded as after or from the studio (the prime is elsewhere).

Pick-a-Back (Mrs Payne Gallwey and Child), copy of (Indianapolis Museum of Art): a copy of a Reynolds maternal group, so recorded.

Portrait of a Gentleman (Corpus Christi College, Oxford): a male portrait recorded as attributed to or after Reynolds.

A Gentleman (believed to be Isaac Pennington) (St John's College, Cambridge): an uncertainly identified and attributed portrait.

Portrait of a Lady (Chequers): a female portrait recorded as attributed to or after Reynolds.

A Young Gentleman Reading (possibly William Beckford) (Pallant House Gallery): a portrait of a reading youth, uncertainly identified and attributed.

Portrait of a Young Man (Burrell Collection, Glasgow): a male portrait recorded as attributed to or after Reynolds.

Portrait of the Artist (Holburne Museum): a self-portrait recorded as after or attributed to Reynolds.

Samuel Johnson (reduced copy after an original of c. 1769) (National Portrait Gallery): a reduced copy after Reynolds's Johnson portrait, so recorded by the gallery.

Sir William Chambers (Kew Palace): a version of the portrait of the architect and Academy Treasurer (see the Royal Academy prime); recorded as after or from the studio.

The Death of Cardinal Beaufort (Holburne Museum): a version of Reynolds's Shakespearean history subject (from Henry VI), painted for Boydell's Shakespeare Gallery; the museum's is a version or copy.

Thomas Newton, Bishop of Bristol (Bristol City Museum): a portrait of the bishop and Milton editor, recorded by the museum as after or from the studio of Reynolds.

Thomas Warton, Professor of Poetry (Trinity College, Oxford): a portrait of the poet-laureate and literary historian, recorded as after or from the studio.

William Hunter (Hunterian Museum, Glasgow): another studio or copy version of the anatomist's portrait.

William Hunter (Hunterian Museum, Glasgow): a portrait of the anatomist and obstetrician, brother of John Hunter; recorded as after or from the studio.

Woodland and River Scene (Temple Newsam): a landscape attributed to Reynolds, whose few landscapes make the attribution uncertain.